I work at the threshold between poetry, theatrical performance, and metaphysics, exploring how experience is structured, ordered, and mediated.

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I practice art as a form of practical cosmology. Through acts of worldbuilding — the setting in motion of first principles — I examine how systems, institutions, and frameworks shape perception, intimacy, and judgment. I am interested in moments where these systems fracture: where lived experience exceeds the forms meant to contain it.

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Creation, for me, is a way of thinking through form rather than against it. It resists pure critique and instead proposes outlines, architectures, and material gestures that confront abstraction with human presence. The work remains open-ended, unpredictable, and irreducible to intention or control.

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I am drawn to the voids between language and structure, and to the fragile architectures — poetic, bureaucratic, technological — that temporarily hold experience together.